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Chase Dimock

Writer, Editor, and Researcher in Comparative Literature and LGBT Studies

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Mike James

First-Hand Accounts From Made-Up Places: An Interview With Poet Mike James

My interview with Mike James has been published on As It Ought To Be. Here’s an excerpt:

When you read Mike James’ new book of poetry, you realize that the contradiction in the title is the intersection where his creativity dwells. For James, the most interesting subjects are those we either overlook and need to re-examine, or we deem impossible and thus need to invent. These are first-hand accounts, but Mike James has many hands. He is a cartographer of the margins, whether that means the almost-icons sitting just left of the spotlight, or the eccentricities in mainstream society you can only see if you look awry.

Take his series of poems on Grant Wood’s paintings for instance. In them, he teases out the subversive, frustrated eroticism embedded in the denim overalls of Americana. He writes about flamboyance and excess, but with an exactitude of language. At first, you think his ghazals and prose poems wander through their subjects, until you get to the destination, and then you realize he took you on a precisely planned path you had never seen on the maps. These are the made-up places we all live in, and Mike James knows the routes where the dirt roads glitter. Continue reading “First-Hand Accounts From Made-Up Places: An Interview With Poet Mike James”

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The Very Southern Pronunciation Still Rings In My Ears: A Conversation With Poet Mike James

My latest author interview is up at As It Ought To Be. Check out an excerpt below:

Keats had his nightingale, Shelley had his skylark, Poe had his raven, Stevens had 13 ways of looking at a blackbird, and Mike James has a jukebox full of crows. While fans of poems about birds will not be disappointed, Crows in the Jukebox is just as much about the jukebox as it is about the crows. James’s book reads like the playlist of an old jukebox in a roadside, greasy spoon diner. There are folk songs that retell old family lore, slow ballads that honestly and sweetly pay tribute to his love, and melancholic memories of a self-destructive father on par with any country tune sung by Loretta Lynn or Tammy Wynette. You can hear the drawl in his words, but James is not constrained by the clichés or expectations of his background in the Carolinas. His poetry is, as the crow flies, direct in its route and positioned with a vision that can muse on the specific while connecting it to a wider, areal view.

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Chase Dimock: Crows pop up as the subject of several poems in your book, Crows in the Jukebox. In “The Crows,” you write that you “love those damned birds for what they aren’t” and in “Poem” you declare that “crows are good at waiting, much better than we are with our alphabet of needs.” What is it about crows that makes them such a fertile subject for poems? How does your interest in crows connect with some of the other ideas and themes in your work?

 

Mike James:  I’ve always loved crows. They are, with pigeons, my favorite birds.  Part of what I like about them is their intelligence, but I also love the fact that they exist at the margins. No one goes to the zoo to see crows. They are always around, watching and plotting survival. Many people have a real aversion to them. That marginality probably interests me as much as anything since I think the best writing comes from working against dominant culture, of getting by at the margins. So many of “the great dead” I admire worked actively outside of the mainstream.  (I’m thinking of poets like Stephen Jonas, Bill Knott, Jack Spicer, Lorine Niedecker, and Mbembe Milton Smith.) I don’t make a conscious decision to work around any specific themes; however, I have a real love for the decayed, the failing, and the decrepit. In so many ways I am in love with ruination. Give me the choice between walking through a mansion and walking through a closed factory and I will choose the factory on every occasion.

Continue reading “The Very Southern Pronunciation Still Rings In My Ears: A Conversation With Poet Mike James”

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